Communal Production and Consumption of the Arts

The beautiful makes it possible to preserve living. This work on communal production and consumption of the arts has been conceived from its place of enunciation, the Bolivarian Revolution, therefore, the communal. Thought from Venezuela, from the Global South, which also includes the oppressed of the North. Therefore, thought onto-epistemically, from the Non-being, the Global Being of Africa, Asia, Latin America and the Caribbean. An attempt to think the beautiful from an attempt to produce the beautiful, from a liberating and decolonial horizon. The communal production and consumption of the arts is a way of conceiving the production of the beautiful. Communal production and consumption of the arts must be in permanent inter-cultural dialogue between the diverse beauties. South-South dialogue, our American dialogue in Latin America and the Caribbean, dialogue even with modern-colonial beauty and dialogue with other beauties, both contemporary and past.