Postapocalyptic Intruder: Art, Consciousness, Sensation

Postapocalyptic Intruder: Art, Consciousness, Sensation is a cartographic investigation into the aesthetics of force and sensation, and into an experimental ¿pragmatics of becoming¿ in the science-fiction art of Enki Bilal, French graphic novelist and film director. The study is inclined to transgress the rigid boundaries of logics of identity, non-contradiction, and excluded others in favor of attuning to the processes that unfold new and affirmative approaches to the production of subjectivity, specifically, the approaches that consist of the processual dynamics of human and non-human bodies in ¿coagulation¿ or assemblage with each other. Parallel, the book explores Bilal¿s art as a pure being of sensation, a body that performs, a material capture, that is, an aesthetics of sensations.