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Beschreibung
Saul Kemack draws on the theories of Bernard Stiegler and Kati Röttger to examine live performance as a site for practicing “dis-automation dramaturgy.” Through a detailed phenomenological and intermedial study of Forced Entertainment’s Signal to Noise, the author explores how theatrical framing can expose the logics of digitally saturated life under hyper-industrial capitalism. Rather than claiming we can wholly resist such logics, his research reveals how art creates temporary interruptions – moments of reflection and reoriented sensibility – in the algorithmic flow.
Saul Kemack is a writer, researcher, and dramaturg based in South Africa.
Theatre as a Site of Dis-Automation in the Age of AI
Details
| Verlag | Tectum Wissenschaftsverlag |
| Ersterscheinung | 18. Dezember 2025 |
| Maße | 21 cm x 14.8 cm |
| Gewicht | 159 Gramm |
| Format | Softcover |
| ISBN-13 | 9783689005238 |
| Seiten | 102 |
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