{"product_id":"international-yearbook-of-futurism-studies-2011-von-undefined","title":"2011","description":"\n                                 \n                \n                \u003cp\u003eIn the past 20 years, there has been a remarkable upsurge of interest in Futurism in most countries formerly situated east of the Iron Curtain.\u003c\/p\u003e\n                                 \n                \n                \u003cp\u003eAlthough Russian Futurism was always well-known, the multifaceted extensions of Futurism in other Eastern countries were not much reported on in Italy and became nearly forgotten after 1945. However, since 1989 a wealth of original material has been rediscovered, both in the literary and the artistic field. In this volume, sixteen experts are presenting a wide spectrum of new findings on artists who operated within the shifting coordinates of the international avant-garde and contributed to the often osmotic relations between Futurism, Dada and Constructivism.\u003c\/p\u003e\n                                 \n                \n                \u003cp\u003e\u003c\/p\u003e\n                                 \n                \n                \u003cp\u003eThe essays in this volume include a discussion of the multi-national character of Futurism in Central and Eastern Europe and the colonialist absorption of avant-garde practices in the Soviet Union; the Berlin directorate of the Futurist movement and its modes of operation in the international avant-garde scene of the 1920s; the infiltration of Futurism in the typographical practices of Czechoslovakia, Hungary and Poland; the hitherto almost unexamined contacts between Latvian artists and Futurism; Polish Responses to Italian Futurism; the similarities and differences between Zenitism and Futurism; the artistic ambitions of the Ukrainian Pan-Futurists in the 1920s; the Futurist experience in Transcaucasian Georgia; the reception of Futurist ideas in the Activist circles of Hungary; the public presence of a \"mute Futurism\" in the Czech avant-garde; Marinetti's visits to Bucharest and Budapest in the 1930s; the hybrid identity of the Bulgarian artist Diulgheroff and his career as an architect and designer in Turin; the role of Italian Futurism in the Slovenian interwar avant-garde; the aesthetic affinities and political divergences between Italian and Romanian Futurism.\u003c\/p\u003e\n                            \n            \u003cdiv class=\"aw-variant-hidden-subtitle-div\" id=\"aw-variant-subtitle-9783110237764\"\u003e\u003ch3\u003e\u003c\/h3\u003e\u003c\/div\u003e","brand":"Autorenwelt Shop","offers":[{"title":"Hardcover - 9783110237764","offer_id":49832211185989,"sku":"9783110237764","price":169.95,"currency_code":"EUR","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/0940\/0622\/files\/1ce9cd87-09ca-4a77-be5c-4cb4838b48c4.jpg?v=1778040842","url":"https:\/\/shop.autorenwelt.de\/products\/international-yearbook-of-futurism-studies-2011-von-undefined","provider":"Autorenwelt Shop","version":"1.0","type":"link"}